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Institut für Städtebau
Wolfgang-Pauli-Str. 15
ETH Hönggerberg, HIL H 47.1
CH-8093 Zürich mailborn
1974 in Erlangen
education
2003 Master of Architecture at the University of California, Los Angeles (M.Arch II)
2002 Postgraduate Scholarship DAAD, USA
2002 Diploma in Architecture at the Technical University of Berlin
"Fuzzy Grey" with Kees Christiaanse and Nathalie de Vries
work
2004 Assistant at the Chair of Urban Design and the Chair of Computer Aided Architectural Design at the ETH
2004 ALSO Architekten Office for Architecture and Graphic Design with Sandra Oppermann
2003 Kees Christiaanse Architects and Planners, Rotterdam (KCAP)
2000 Teaching assistant at the chair for building design and
construction Prof. I. Goetz / Prof. N. de Vries, Technical University of Berlin publications and exhibitions
2005 "Reflections on Kaisersrot: Flexible and interactive planning environments", in Situation – KCAP Architects and Planners (Rotterdam: NAi Publishers, 2005)
2004 Publication in the architectural journal "Hochparterre": "Konsensmaschine"
2003 Arch+ Preis: Best Thesis in 2002, published in Zweifelsohne, Archplus Verlag
2003 Universal Materialism in "10 Points Towards a Perf City", Bob Somol in Trans November 2003
2003 FRICT at Beyond Media 03, Florence 3rd Bienale
alexandre kapellos
arch eth sia / nds caad eth
info@a2k.chcv
born 1969 in basel / ch
1990-1997 architecture studies eth lausanne
1999-2004 self-employed architect in lausanne >a2k.ch
2000-2002 assistant at the eth lausanne in the chair of prof. vincent mangeat
2003-2005 postgraduate studies in architecture & caad eth zürich >x-3.org
2005 assistant for the cityscan istanbul course at the chair for caad - eth zürich in 2005
2005 onwards assistant at the designlab of the institut fur landschaftsarchitektur - eth zürich under prof. christoph girot
since 2005 self-employed architect in zürich & lausanne
1989-1995 - Studies in computer sciences and architecture at TU Munich
1969 - Born in Munich/Germany
publications
2006 - Getting complexity organised - Using self-organisation in architectural construction
Automation in Construction, In Press, Corrected Proof. DOI:10.1016/j.autcon.2005.10.006
2005 - From Design to Production - Three Complex Structures Materialised in Wood (with C. Schindler, M. Braach)
In Generative Art 2005, Proceedings of the 6th International Conference, ed. Celestino Soddu. Milan, 2005.
2005 - Turning the Design Process Downside-up - Self-Organization in Real-World Architecture
In Computer Aided Architectural Design Futures 2005, ed. Bob Martens and André Brown, 269-278. Vienna: Springer, Dordrecht, 2005.
2005 - A Simulation Toolbox for Self-Organisation in Architectural Design
In Innovation in Architecture, Engineering and Computing (AEC), ed. Sevil Sariyildiz and Bige Tuncer, 2, 533-543. Rotterdam, NL: Delft University of Technology, Faculty of Architecture, 2005.
2003 - The Groningen Twister - an Experiment in Applied Generative Design.
In Generative Art 2003. Proceedings of the 4th International Conference, ed. Celestino Soddu. Milan, 2003.
1997 - The Munich Project: An Online Information System on Architecture in Munich (with C. Lintl)
In Challenges of the Future [15th eCAADe Conference Proceedings / ISBN 0-9523687-3-0] Vienna (Austria) 17-20 September 1997
10.05.2006 - Growing the Structure - Artificial Life Methods for Architectural Construction
guest lecture & seminar at the Delft School of Design (DSD), TU Delft
Contact:
Christoph Wartmann
Fon: ++41 1 63 34025
Mail: wartmann@arch.ethz.ch
For further information take a look at my CV (PDF) here.
Dipl. Media Designer / Media Programmer
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Dr. Andrea Gleiniger
Projektbeschreibung (work in progress)
Die Einführung des Computers in die Architektur hat mittlerweile auf allen Ebenen der Konzeption, des Entwurfs, der Herstellung und Organisation, sowie der Rezeption und Kommunikation von Architektur stattgefunden. Dabei geht es längst nicht mehr nur um die Digitalisierung instrumenteller und funktionaler Prozesse (der Computer als Zeicheninstrument und Organisationswerkzeug), sondern um Veränderungen in der Entwurfskonzeption und im Entwurfsprozess, im Raumverständnis und in der Raumwahrnehmung, sowie in der Rezeption und Benutzung von Architektur, kurz um ein sich zusehends wandelndes Verständnis von Architektur überhaupt.
Mit der Reflexion und Analyse des architekturgeschichtlichen Kontextes wird deutlich, dass nicht zuletzt vor dem Hintergrund der archtektonischen, künstlerischen, technologischen etc. Entwicklungen der Moderne (und ihres Dialogs untereinander), es sich heute vielfach um Entwicklungen und Prozesse handelt, die sich thematisch durch das gesamte 20. Jahrhundert zurückverfolgen lassen und deren Behandlung nun durch die synthetisierende Plattform des Computers eine neue Dimension erhalten hat. Es gilt, diese technologischen und architektonischen, funktionalen und gestalterischen Zusammenhänge, in denen sich die Digitalisierungsprozesse der Architektur vollziehen, transparent zu machen, zu überprüfen und kritisch zu analysieren und zu kommentieren.
Themen
Räume und Orte Das Prinzip Pavillon
Der Pavillon wird im 20. Jahrhundert zu einem architektonischen Konzept, das vor allem im Kontext von Ausstellungen auf die tradierten Bezugssysteme einer auf Dauerhaftigkeit zielenden Architekturmanifestation zugunsten des temporären Experiments verzichten kann. Er wird damit zum programmatischen Manifest und zum innovativen Erlebnisraum, der den avanciertesten Architekturvorstellungen einen Spielraum gewährt, den sie sonst nirgendwo finden. Nicht zuletzt deshalb haben wir es weniger mit einer streng gefassten architektonischen Typologie zu tun, als vielmehr mit einer räumlichen Befindlichkeit, die durchaus in unterschiedlichen Zusammenhängen sehr unterschiedliche Gestalt annehmen kann: ureigenstes Merkmal ist dabei der ephemere und temporäre, der offene und tendenziell experimentelle Charakter seiner künstlerischen, technischen und architektonischen Gestaltung und Ausstattung.
Als eine Art "Apercu" der Architekturgeschichte hat der Pavillon programmatischen und gelegentlich auch paradigmatischen Charakter.
Medienraum - vom Panorama zum CAVE Lichtarchitektur und Medienfassade
Die mediale Nutzung, Bespielung und Interpretation der Fassade, von Architektur überhaupt, hat mit der Digitalisierung eine im wahrsten Sinne neue Dimension erhalten. Gleichzeitig sehen wir, dass das Erbe der historischen Architekturillumination, wie wir sie aus einer bis in die Renaissance zurückreichende Tradition von Feuerwerk und Festbeleuchtung kennen, bis in die Lichtarchitektur-Konzepte der Moderne nachgewirkt hat und noch heute im Austausch von Licht-, Medien- und Informationstechnologien einen Niederschlag findet.
Während schon im Rahmen des höfischen Festes, vor allem im Barock,eine beträchtliche inszenatorische und technische Kunstfertigkeit entwickelt wurde, verändern sich mit der Einführung der Elektrizität im späten 19. Jahrhundert nicht nur die technischen Möglichkeiten der Illuminationspraxis; angesichts einer sich zum bürgerlich urbanen hin wandelnden städtischen Oeffentlichkeit, dem beträchtlichen Wachstum der entstehenden Metropolen und der insgesamt sich rasant verändernden Wahrnehmungsweisen und Erfahrungsgeschwindigkeiten, kommt der Architekturbeleuchtung eine ganz neue Bedeutung sowohl in ihren funktionalen Nutzungen als auch in ihren gestalterischen Wirkungen und raumprägenden Erfahrungen zu.
Lehre
SS 1994 - WS 1996/97 Lehrauftrag Architekturgeschichte des 20. Jahrhunderts Staatliche Hochschule für Gestaltung Karlsruhe (D)
WS1994/95 Lehrauftrag Baugeschichte, Hochschule für Technik, Stuttgart (D)
SS 1998 - WS 2000/2001 Gastprofessur Staatliche Hochschule für Gestaltung Karlsruhe (D)
WS1999/2000 - SS 2001 Lehrauftrag Fakultät für Architektur, TU Karlsruhe (D)
SS 2002 Lehrauftrag Institut für Kunstgeschichte, Universität Zürich (CH)
Gastdozentin Nachdiplomstudiengang Gender and Cultural Studies, Hochschule für Gestaltung und Kunst Zürich (CH)
Publikationen (Auswahl)
Revision der Moderne. Postmoderne Architektur 1960-1980.
(Ausst.Kat. Frankfurt), hrsg. v. Heinrich Klotz. Mit Beiträgen von V. Fischer, A. Gleiniger, H. Klotz und H.-P.Schwarz. München 1984. (Übersetzungen ins Französische, Englische und Japanische).
Mehrfamilienhäuser im Sozialen Wohnungsbau. In: Bauen Heute. Architektur der Gegenwart in der Bundesrepublik Deutschland (Ausst.Kat. Frankfurt), hrsg. v. Heinrich Klotz, Stuttgart 1985, S. XXiX-XL.
Technologische Phantasien und urbanistische Utopien. In: Vision der Moderne. Das Prinzip Konstruktion (Ausst.Kat. Frankfurt), hrsg. v. Heinrich Klotz unter Mitarbeit von V. Fischer, A. Gleiniger und H.-P. Schwarz, München 1986, S. 56-65. (Wiederabdruck in: Die Utopie des Design (Ausst.Kat. München), München 1994)
Der Hang zur Architektur in der Malerei der Gegenwart, mit Heinrich Klotz, (Ausst.Kat. Frankfurt), Stuttgart 1988
Ferdinand Kramer und der Siedlungsbau des Neuen Frankfurt. In: Ferdinand Kramer. Der Charme des Systematischen. Hrsg. v. Claude Lichtenstein (Ausst.Kat. Zürich, Frankfurt, Dessau) Giessen 1991, S. 36-47.
Jahrbuch für Architektur des Deutschen Architekturmuseums Frankfurt am Main, 1990 und 1991/92 (Mitherausgeberin)
Die Frankfurter Nordweststadt. Geschichte einer Großsiedlung. Fankfurt/ New York 1995.
Paris. Architektur der Gegenwart, mit Gerhard Matzig und Sebastian Redecke, München 1997
Stefan Wewerka, Arbeiten 1948 -1998, mit Volker Fischer (Ausstell.Kat. Frankfurt), Stuttgart 1998.
Das Zentrum für Kunst und Medientechnologie, Edition Menges, Stuttgart 1998.
weiße vernunft - Siedlungsbau der 20er Jahre. Architektur und Lebensentwurf im Neuen Bauen.
mit Katharina Bosch und Susanne Schumacher (Hgs.),CD-ROM, München 1999.
Mediale Konzepte – Digitale Experimentierräume. Der Pavillon als architektonische Versuchsanordnung. In: Archithese 4.02, S. 32 – 37.
Von der Präsentation zum Prozess - Simulationen in der Architektur und im architektonischen Entwurf, in: Jahrbuch der Hochschule für Gestaltung und Kunst Zürich, Zürich 2006, S. 66 - 83
Der Architekt, das Auto, das Haus und die Stadt, in: Archithese 3/ 2006
Katalogbeiträge und Vorträge zur Architektur, Kunst und Mediengeschichte des 20. Jahrhunderts
Architekturkritische Tätigkeit für Bauwelt, Archithese, Hochparterre, Deutsche Bauzeitung, Frankfurter Rundschau etc.
In Vorbereitung: Die Medialisierung der Architektur im 20. Jahrhundert - Überlegungen zu einer MedienArchitekturGeschichte (voraussichtl. 2006)
Vorträge und Texte (Auswahl)
MedienArchitekturGeschichte01
Die Metaphorik des Wassers und das Konzept des Liquiden, ETH Zürich, 02.12.2004
MedienArchitekturGeschichte02
Mediale Konzepte_Digitale Experimentierräume, ETH Zürich, 27.01.2005
Ausstellungen und Projekte (Auswahl)
Revision der Moderne. Postmoderne Architektur 1960-1980, Eröffnungsausstellung, Deutsches Architekturmuseum Frankfurt am Main, 1984 (Mitarbeit: Ausstellung, Katalog)
Bauen Heute. Architektur der Gegenwart in der Bundesrepublik Deutschland, Deutsches Architekturmuseum Frankfurt am Main, 1984 (Mitarbeit: Konzeption, Ausstellung, Katalog)
Vision der Moderne. Das Prinzip Konstruktion, Deutsches Architekturmuseum Frankfurt am Main, 1986 (Mitarbeit: Konzeption, Ausstellung, Katalog)
Der Hang zur Architektur in der Malerei der Gegenwart, Deutsches Architekturmuseum Frankfurt am Main, 1988 (Konzeption, Ausstellung, Katalog)
Papierarchitektur. Neue Projekte aus der Sowjetunion, 1989 (Ausstellung, Katalog)
Lebenslauf
Studium der Kunstgeschichte, Vergl. und Allgem. Literaturwissenschaft und Archäologie in Bonn und Marburg (D)
1981 - 1984 Stipendum der Studienstiftung des Deutschen Volkes
1985 - 1987 Forschungsprojekt "Auswirkungen rechtlicher und sonstiger Bedingungen auf die Gestaltung des Wohnungsbaus in der Bundesrepublik Deutschland 1950 am Beispiel der Nordweststadt in Frankfurt am Main" des Bundesministeriums für Raumordnung, Bauwesen und Städtebau
1988 Promotion
1983 - 1993 wissenschaftliche Mitarbeiterin und Kuratorin am Deutschen Architekturmuseum (DAM) in Frankfurt am Main
seit 1993 Lehrtätigkeit in Stuttgart, Karlsruhe und Zürich
1994 Ludwig Landmann Preis (Frankfurt)
seit 1995 - 2001 Konzeption, Aufbau und Leitung des Multimediastudios an der HfG Karlsruhe mit dem Schwerpunkt "Interaktive Architekturgeschichte"/ Pilotprojekt "weisse vernunft. Siedlungsbau der 20er Jahre. Architektur und Lebensentwurf im Neuen Bauen, CD Rom
1996 - 2001 Projektleitung "Bausteine für eine interaktive Architekturgeschichte"/ Teilprojekt Vernetztes Wissen" im Rahmen des Virtuellen Hochschulverbundes Karlsruhe(ViKar)
1998 - 2001 Gastprofessorin für das Multimediastudio
seit 2002 wissenschaftliche Mitarbeit in Forschung und Lehre an der Professur für CAAD, ETH Zürich
Seit 2004Mitglied im Verband der Deutschen Kritiker e.V., Sektion Architekturkritik
2005/ 06 Jury Architekturpreis 2006 Verband der Deutschen Kritiker e.V.
Seit Oktober 2005 Supervisor im Rahmen des PhD? Programms zNode der University of Plymouth und der Hochschule für Gestaltung und Kunst Zürich
Lehrtätigkeit in Zürich; Publizistische Tätigkeit im Bereich Architektur des 20. und 21. Jahrhunderts, Design und Neue Medien; Architekturkritikerin
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EasyProjector is copyrighted by Prof. Ludger Hovestadt, Institute of Building Technology, CAAD and published under the GNU General Public License.
The plain text license follows herafter, a HTML version can be viewed at http://www.gnu.org/copyleft/gpl.html
GNU GENERAL PUBLIC LICENSE
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Copyright (C) 1989, 1991 Free Software Foundation, Inc.
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GNU GENERAL PUBLIC LICENSE
TERMS AND CONDITIONS FOR COPYING, DISTRIBUTION AND MODIFICATION
0. This License applies to any program or other work which contains
a notice placed by the copyright holder saying it may be distributed
under the terms of this General Public License. The "Program", below,
refers to any such program or work, and a "work based on the Program"
means either the Program or any derivative work under copyright law:
that is to say, a work containing the Program or a portion of it,
either verbatim or with modifications and/or translated into another
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the term "modification".) Each licensee is addressed as "you".
Activities other than copying, distribution and modification are not
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running the Program is not restricted, and the output from the Program
is covered only if its contents constitute a work based on the
Program (independent of having been made by running the Program).
Whether that is true depends on what the Program does.
1. You may copy and distribute verbatim copies of the Program's
source code as you receive it, in any medium, provided that you
conspicuously and appropriately publish on each copy an appropriate
copyright notice and disclaimer of warranty; keep intact all the
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and give any other recipients of the Program a copy of this License
along with the Program.
You may charge a fee for the physical act of transferring a copy, and
you may at your option offer warranty protection in exchange for a fee.
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a) You must cause the modified files to carry prominent notices
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b) You must cause any work that you distribute or publish, that in
whole or in part contains or is derived from the Program or any
part thereof, to be licensed as a whole at no charge to all third
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c) If the modified program normally reads commands interactively
when run, you must cause it, when started running for such
interactive use in the most ordinary way, to print or display an
announcement including an appropriate copyright notice and a
notice that there is no warranty (or else, saying that you provide
a warranty) and that users may redistribute the program under
these conditions, and telling the user how to view a copy of this
License. (Exception: if the Program itself is interactive but
does not normally print such an announcement, your work based on
the Program is not required to print an announcement.)
These requirements apply to the modified work as a whole. If
identifiable sections of that work are not derived from the Program,
and can be reasonably considered independent and separate works in
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on the Program, the distribution of the whole must be on the terms of
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collective works based on the Program.
In addition, mere aggregation of another work not based on the Program
with the Program (or with a work based on the Program) on a volume of
a storage or distribution medium does not bring the other work under
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under Section 2) in object code or executable form under the terms of
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except as expressly provided under this License. Any attempt
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This section is intended to make thoroughly clear what is believed to
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NO WARRANTY
11. BECAUSE THE PROGRAM IS LICENSED FREE OF CHARGE, THERE IS NO WARRANTY
FOR THE PROGRAM, TO THE EXTENT PERMITTED BY APPLICABLE LAW. EXCEPT WHEN
OTHERWISE STATED IN WRITING THE COPYRIGHT HOLDERS AND/OR OTHER PARTIES
PROVIDE THE PROGRAM "AS IS" WITHOUT WARRANTY OF ANY KIND, EITHER EXPRESSED
OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF
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TO THE QUALITY AND PERFORMANCE OF THE PROGRAM IS WITH YOU. SHOULD THE
PROGRAM PROVE DEFECTIVE, YOU ASSUME THE COST OF ALL NECESSARY SERVICING,
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WILL ANY COPYRIGHT HOLDER, OR ANY OTHER PARTY WHO MAY MODIFY AND/OR
REDISTRIBUTE THE PROGRAM AS PERMITTED ABOVE, BE LIABLE TO YOU FOR DAMAGES,
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END OF TERMS AND CONDITIONS
How to Apply These Terms to Your New Programs
If you develop a new program, and you want it to be of the greatest
possible use to the public, the best way to achieve this is to make it
free software which everyone can redistribute and change under these terms.
To do so, attach the following notices to the program. It is safest
to attach them to the start of each source file to most effectively
convey the exclusion of warranty; and each file should have at least
the "copyright" line and a pointer to where the full notice is found.
<one line to give the program's name and a brief idea of what it does.>
Copyright (C) <year> <name of author>
This program is free software; you can redistribute it and/or modify
it under the terms of the GNU General Public License as published by
the Free Software Foundation; either version 2 of the License, or
(at your option) any later version.
This program is distributed in the hope that it will be useful,
but WITHOUT ANY WARRANTY; without even the implied warranty of
MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. See the
GNU General Public License for more details.
You should have received a copy of the GNU General Public License
along with this program; if not, write to the Free Software
Foundation, Inc., 51 Franklin St, Fifth Floor, Boston, MA 02110-1301 USA
Also add information on how to contact you by electronic and paper mail.
If the program is interactive, make it output a short notice like this
when it starts in an interactive mode:
Gnomovision version 69, Copyright (C) year name of author
Gnomovision comes with ABSOLUTELY NO WARRANTY; for details type `show w'.
This is free software, and you are welcome to redistribute it
under certain conditions; type `show c' for details.
The hypothetical commands `show w' and `show c' should show the appropriate
parts of the General Public License. Of course, the commands you use may
be called something other than `show w' and `show c'; they could even be
mouse-clicks or menu items--whatever suits your program.
You should also get your employer (if you work as a programmer) or your
school, if any, to sign a "copyright disclaimer" for the program, if
necessary. Here is a sample; alter the names:
Yoyodyne, Inc., hereby disclaims all copyright interest in the program
`Gnomovision' (which makes passes at compilers) written by James Hacker.
<signature of Ty Coon>, 1 April 1989
Ty Coon, President of Vice
This General Public License does not permit incorporating your program into
proprietary programs. If your program is a subroutine library, you may
consider it more useful to permit linking proprietary applications with the
library. If this is what you want to do, use the GNU Library General
Public License instead of this License.
18.01. 1967 geboren in Berlin
1986 Allgemeine Hochschulreife
1986
1988 Zivildienst
1988
1989 Freie Kunstschule P_Art (D - Stuttgart)
Praktikum als Modellbauer Firma Sollner (D - Renningen)
1990
1997 Studium an der Universität Kaiserslautern im Studiengang Architektur
17.04. 1997 Diplom (Dipl.-Ing. / Fach Architektur)
Freie Mitarbeit im Architekturbüro De Fries Kaiserslautern
Architekturpreis Rheinland-Pfalz Assistenz
seit
15.08. 1997 Wissenschaftlicher Mitarbeiter an der Universität Kaiserslautern
Fachbereich ARUBI Lehrgebiet CPE „Medienexperimentelles Entwerfen“ (bis Ende August 2000)
1997
1999 Freie Mitarbeit (Wettbewerbsarbeiten) in zahlreichen Architekturbüros
26.06. 2000 Eintragung in die Architektenliste Rheinland-Pfalz
seit
01.10.2000 wissenschaftlicher Mitarbeiter an der ETH – Zürich,
seit
01.10.2004 Assistenzprofessor für Architektur und Digitale Medien an der Hochschule Liechtenstein
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The Chippensteel consists of two in contour welded metal sheets which get their (vivdly), retrofuturistic look through hydroforming.
Idea:
The idea was to produce a stable and convenient furniture out of thin metal sheets using the potential of CNC machines and hydro formed metal surfaces.
This was achieved by placing welds along the outer contour line and the interior. The interior welds as well as the pressure of the poured in fluid applied limits and control to the formation of interior cushions, creating the final shape resembling the pattern on the chippenfield sofa.
The result is a light construction which can be easily mass-customized at low production costs with well established techniques.
Novelties of the process:
- industrial production with a unique result -- every single furniture is a unique sculpture
- combination of creative freedom with a consistent production process
- creation of a handmade expression produced by CNC machines
- unlike other cnc manufactured products with identical expression, chippensteel looks like a one-off handmade product
- application of modern techniques and materials for a retro futuristic design
- combination of stability with minor production effort and simplicity resulting in an appealing look. Production process:
Chippensteel can be manufactured with different metals like steel, chromium-nickle steel and various alloys. First the metal sheets are welded together at the contour of the final shape. The following application of a spot-welding raster is essential for later forming processes. This grid is depending on the overall dimensions of the chair. The hydro forming process applies liquids with high pressure to the watertightly welded inner space. This pressure and the thickness of the metal sheets define the 3D appearance and stability of the chair. In the last step four bents are applied to the inflated shape, thereby folding the chair into its final form.
Idee:
Die Grundidee bestand darin, ein stabiles und komfortables Möbel aus Blechen zu entwerfen, welches das Potential der CNC-Herstellung und des Hydro-Formings ausreizt.
Dies wurde durch das Setzten präziser Schweissnähte entlang der Aussenkontur und im Inneren zweier übereinander liegender, lasergeschnittener Bleche erreicht. Durch das überlegte Setzen der inneren Schweissnähte und durch das Anpassen des Druckes der Flüssigkeit, mit welcher die Form gefüllt wurde, lies sich die Deformation kontrollieren. Es enstanden kissenförmige Verformungen, welche man mit einem Chipperfield Sofa assoziiert.
Das Resultat ist eine leichte Konstruktion, welche eine individuelle Massenproduktion zu einem tiefen Preis mit weit verbreiteten Herstellungsverfahren erlaubt.
Innovation des Prozesses:
- industrielle Serienproduktion mit einem einzigartigen Resultat - jedes einzelne Möbelstück ist ein Unikat
- entgegen üblicher CNC-gefertigter Produkte, welche durch ihr Herstellungverfahren alle gleich aussehen, wirkt Chippensteel wie ein handgemachtes Einzestück aus.
- Verwendung moderner Herstellungsverfahren und Materialien für ein retro-futuristisches Design
- kombiniert Stabilität mit minimalem Herstellungsaufwand und Einfachheit, die Möbel haben einen freundlichen, warmen Charakter. Produktionsprozess:
Chippnesteel kann in verschiedenen Metallen wie Stahl, Chromstahl und andere Legierungen hergestellt werden. Als erstes werden zwei lasergeschnittenen Bleche entlang ihrer Kontur miteinander verschweisst. Die im zweiten Arbeitgang gesetzten Schweisspunkte im Inneren der Fläche steuern und kontrollieren die Deformation des Bleches während des Hydro-Formings. Die Grösse des Rasters dieser Schweisspunkte hängt von der Gesamtgrösse des zu verformenden Objektes ab. Im Hydro-Forming-Prozess wird eine Flüssigkeit mit hohem Druck in den wasserdicht verschweissten Hohlraum gepresst. Der Druck sowie die Dicke des Bleches steuern die Verformung und Stabilität des Stuhles. Vier Biegungen bilden den letzten Schritt und falten den Stuhl in seine letztendliche Form.
Contact:
Christoph Wartmann
Fon: ++41 1 63 34025
Mail: wartmann@arch.ethz.ch
For further information take a look at my CV (PDF) here.
Dipl. Media Designer / Media Programmer
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Eine Kooperation der Professur Hovestadt und dem Lehrstuhl für Architekturtheorie, TU Wien
051-0728-07L | CAAD Theorie | SS 07 | Montags 15.00-17.00 Uhr | HIL E 19.1
„Denken in Systemen entspricht dem Wesen der menschlichen Natur.
Es zielt auf Erkennen, Durchdringen und Ordnen und darauf, Gesetzmäßigkeiten
zu begegnen und ihnen im Modell zu folgen. Systementwicklungen sind für
unsere Epoche ein unentbehrliches Instrumentarium, Voraussetzung für freies
mobiles Leben und globale Kommunikation. Sie ermöglichen die Teilhabe aller an allem.“
Dieses Zitat stammt von Fritz Haller, dem geistigen Vater und konsequentesten Vertreter
der Systembau-Architektur der 60er Jahre des 20. Jahrhunderts in der Schweiz. Knapp ein Jahr
vor der ersten bemannten Mondlandung der Apollo-Mission im Juli 1969 entstehen Hallers
technologisch-gesellschaftliche Szenarien urbaner Netzwerke und Systeme der Zukunft.
Sein Denken in Systemen durchzieht dabei alle architektonischen Massstäbe: von einzelnen Möbel-,
Wohn- und Gebäudeeinheiten bis hin zu urbanen Megastrukturen, die die ganze Erde umspannen
und den Weltraum vernetzen sollen. Hallers Raumutopien sind jedoch keine
gewöhnlichen Planungsvorgaben, sondern abstrakte Denkmodelle und strenge Geometrien
von Einheiten, Knoten und Modulen. Was für ein architektonisches Denken verbirgt sich dahinter?
Fragestellung / Motivation
Aus Sicht heutiger Informationstechnologien drängt sich eine Neuinterpretation von
Hallers Schlüsselbegriffen auf. Was ist also z.B. der Begriff des „Systems“ für ein Denkkonstrukt,
dass es die Verbindung von Rationalität und Utopie erlaubt?
Aufgabe
Aufgabe des Seminars ist es, sich mit abstrakten Begriffen wie Knoten, System, Struktur
oder Netzwerk auseinanderzusetzten, sich diese anhand von Fritz Hallers urbanen Denkmodellen
zu veranschaulichen, und gemeinsam zu diskutieren. Prinzipien von Hallers räumlichen
Megastrukturen sollen informationstechnologisch übersetzt und anschliessend
in “Google Earth” visualisiert werden.
Leitung
Prof. Ludger Hovestadt, ETH
Georg Vrachliotis, ETH
Dr. Oliver Schürer, TU Wien
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easyProjector is free software and published by the chair for CAAD under terms of the GNU General Public License. Please refer
to COPYING for further details on distributing EasyProjector. Please keep in mind that EasyProjector is still in an early development
phase and refer to EasyProjectorTODO and EasyProjectorBUGS before submitting bug reports. You can reach the authors at
easyprojector@hbt.arch.ethz.ch.
Note:
Due to security settings for flash plugins it's best to start easyProjector.swf from your local harddrive.
1989-1995 - Studies in computer sciences and architecture at TU Munich
1969 - Born in Munich/Germany
publications
2006 - Getting complexity organised - Using self-organisation in architectural construction
Automation in Construction, In Press, Corrected Proof. DOI:10.1016/j.autcon.2005.10.006
2005 - From Design to Production - Three Complex Structures Materialised in Wood (with C. Schindler, M. Braach)
In Generative Art 2005, Proceedings of the 6th International Conference, ed. Celestino Soddu. Milan, 2005.
2005 - Turning the Design Process Downside-up - Self-Organization in Real-World Architecture
In Computer Aided Architectural Design Futures 2005, ed. Bob Martens and André Brown, 269-278. Vienna: Springer, Dordrecht, 2005.
2005 - A Simulation Toolbox for Self-Organisation in Architectural Design
In Innovation in Architecture, Engineering and Computing (AEC), ed. Sevil Sariyildiz and Bige Tuncer, 2, 533-543. Rotterdam, NL: Delft University of Technology, Faculty of Architecture, 2005.
2003 - The Groningen Twister - an Experiment in Applied Generative Design.
In Generative Art 2003. Proceedings of the 4th International Conference, ed. Celestino Soddu. Milan, 2003.
1997 - The Munich Project: An Online Information System on Architecture in Munich (with C. Lintl)
In Challenges of the Future [15th eCAADe Conference Proceedings / ISBN 0-9523687-3-0] Vienna (Austria) 17-20 September 1997
10.05.2006 - Growing the Structure - Artificial Life Methods for Architectural Construction
guest lecture & seminar at the Delft School of Design (DSD), TU Delft
Each topic can have one or more files of any type attached to it by using the Attach screen to upload (or download) files from your local PC. Attachments are stored under revision control: uploads are automatically backed up; all previous versions of a modified file can be retrieved.
What Are Attachments Good For?
File Attachments can be used to create powerful customized groupware solutions, like file sharing and document management systems, and quick Web page authoring.
Document Management System
You can use Attachments to store and retrieve documents (in any format, with associated graphics, and other media files); attach documents to specific TWiki topics; collaborate on documents with full revision control; distribute documents on a need-to-know basis using web and topic-level access control; create a central reference library that's easy to share with an user group spread around the world.
File Sharing
For file sharing, FileAttachments on a series of topics can be used to quickly create a well-documented, categorized digital download center for all types of files: documents; graphics and other media; drivers and patches; applications; anything you can safely upload!
Web Authoring
Through your Web browser, you can easily upload graphics (or sound files, or anything else you want to link to on a page) and place them on a single page, or use them across a web, or site-wide.
NOTE: You can also add graphics - any files - directly, typically by FTP upload. This requires FTP access, and may be more convenient if you have a large number of files to load. FTP-ed files can't be managed using browser-based Attachment controls. You can use your browser to create TWikiVariables shortcuts, like this %H% = .
Uploading Files
Click on the Attach link at the bottom of the page. The Attach screen lets you browse for a file, add a comment, and upload it. The uploaded file will show up in the File Attachment table.
Any type of file can be uploaded. Some files that might pose a security risk are renamed, ex: *.php files are renamed to *.php.txt so that no one can place code that would be read in a .php file.
The previous upload path is retained for convenience. In case you make some changes to the local file and want to upload it, again you can copy the previous upload path into the Local file field.
Currently there is no file size limit other than the disk space on the server.
* It's not recommended to upload files greater than a few hundred K through a browser. Large files can be extremely slow-loading, and often time out. Use FTP for large file uploads.
NOTE: There is no access control on individual attachments. If you need control over single files, create a separate topic per file and set topic-level access restrictions for each.
Moving Attachment Files
An attachment can be moved between topics.
Click Action on the Attachment to be moved.
On the control screen, select the new web and/or topic.
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Deleting Attachments
It is not possible to delete attached files directly. You can delete a topic, and its attachments with it.
One easy workaround is to create a Trash.TrashAttachments - then, simply move unwanted Attachments to that topic.
Linking to Attached Files
Once a file is attached it can be referenced in the topic. Example:
GIF, JPG and PNG images can be attached and shown embedded in a topic. Example:
Attach file: Smile.gif
Edit topic and write text: %ATTACHURL%/Smile.gif
Preview: text appears as , an image.
File Attachment Contents Table
Files attached to a topic are displayed in a directory table, displayed at the bottom of the page, or optionally, hidden and accessed when you click Attach.
Clicking on an Action link takes you to a new page that looks like this:
The first table is a list of all attachments, including their attributes. An h means the attachment is hidden, it isn't listed when viewing a topic.
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Known Issues
Unlike topics, attachments are not locked during editing. As a workaround, you can change the comment to indicate an attachment file is being worked on - the comment on the specific version isn't lost, it's there when you list all versions of the attachment.
Spieler/innen:
Einzelspieler gegen das Spiel,
Kontext:
ETH, Modellbauwerkstatt
Ko-text:
Ein schönes Modell bauen, Star-Architekt werden, die Müdigkeit überwinden
Ziele:
Short term; sich nicht in den Finger schneiden, Teile sauber fügen etc.
Medium term; das Modell fertig stellen
Long term: eine gute Abgabeleistung erbringen
Prozeduren:
Starthandlung: Entschluss oder Aufforderung zum Modellbau, Organisation der Einzelteile
Handlungsprogression: Bauen, fügen der Einzelteile
Spezialhandlungen: Einsatz von mill, lasercutter, gipsplotter o.ä.
Schlusshandlung: das letzte Teil einfügen
Regeln:
Implizite Regeln: Abschluss der Arbeit zur gegebenen Zeit
Operationale Regeln: Werkstattregeln, Bedienungsanleitungen der verwendeten Maschinen
Konstitutive Regeln: Pläne, Zeichnungen, Skizzen
Ressourcen:
Zeit, Material
Konflikte:
Nicht verfügbare Maschinen, zu wenig Material gekauft, Zeitaufwand unterschätzt
Spiel-Grenzen:
Modellbauwerkstatt, Werkbank
Ergebnis(se):
Abschluss der Arbeit in der zur Verfügung stehenden Zeit
Dramatische Elemente: -?
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Kai Rüdenauer graduated his architectural studies at the Department of Architecture of the University of Karlsruhe in 2001. When studing architecture he worked parallel in several offices and made his first academic practice at the Institut of Baugestaltung, Baukonstruktion und Entwerfen II, Prof. Rüdiger Kramm. After he finished the architectural diploma with his design for a city hybrid in the center of Karlsruhe (Prof. Kramm, Prof. Lederer) Kai got an employment in the office Kramm & Strigl, Darmstadt. After his diploma Kai was recommended for a foreign exchange scholarship from the Ruth und Erich Rossmann Stiftung, Karlsruhe. In 2002 he moved to Switzerland to extended his practice experience by Binder Architektur AG, Winterthur and to take part at the postgraduate study course at the Chair of Ludger Hovestadt. Throughout the postgraduate studies at ETH he expand his proficiencies in computer based architectural design and automatic production technologies. The whole course leeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeer
finished their studies with the international awarded ESG pavilion. In winter 2003 Kai joined the CAAD chair. He participated in the Building IP research group and was responsible for the design and programming of the remote control interface for Gottfried Semper's Villa Garbald, Castasegna. In the MAS CAAD 2004/05 Kai had the supervision on the postgraduate modul in vectorscript and actionscript. In the undergraduated study he teached with Pia Fricker and Christoph Schindler the second year course in programming vectorscript and parametrical design. In late 2005 he collaborates with the chairs art historians the replay seminar bild-o-mat and teached the students to implement their individual flash based image browser for the easy db system. He’s main focus is on agent based design, for this he started to extend his skills in java. Results will be published soon.
Vom Entwurf zur Produktion
Die Professur zeigt mit den Studien- und Forschungsprojekten die
Brücke zwischen Ausbildung und Praxis auf. In allen Bereichen werden
aktuelle Informationstechnologien in den Entwurfsprozess (Design,
Architektur und Städtebau) mit eingebunden.. .
Rucksack Konfigurator UNICO, 2005
Konfiguriere Deinen eigenen Rucksack
Der Unico Konfigurator erlaubt eine individuelle Zusammenstellung und Bestellung der Rucksäcke der 'Hess Sattlerei' aus Alpnachstad. Die mit der Software Flash entwickelte und programmierte Internetanwendung kann einerseits vom Kunden benutzt werden um online den gewünschten Rucksack zusammenzustellen und andererseits kann der Konfigurator selbst mit einfachen Mittel vom Betreiber Markus Hess selbst konfiguriert werden um das Angebot anzupassen, abzuändern oder neue Produkte der Angebotspalette hinzuzufügen.. .
Villa Garbald, Castasegna 2004
Ein dynamisches Interface zur Gebäudesteuerung
Die Professur für CAAD ist beauftragt eine technisch und konzeptionell moderne Gebäudeautomation in die beiden Gebäude zu integrieren. Gewählt wurde ein System, welches auf Internettechnologie möglichst am Sensor (Lichttaster) und Aktor (Relais zur Leuchtenschaltung) direkt digital Steuersignale verwendet. . ......>>
eCAADe 2005, 21-24 September 2005
The ESG_Pav project demonstrates the advantages of computer aided design,
collaboration, and production technologies. The parti-concept for this project
was the design and programming of a parametrically driven architecture that
could be designed by “users” of a web based configurator. The underlying
technology relies on a logical and parametric geometry structure which was
developed, programmed and implemented by the postgraduate students .. .
CAAD2, SS 2005
from parametric design to production!
Computergesteuerte Maschinen und Fertigungstechniken werden als zeitgenössische Herausforderung an den Architekten begriffen. Der Kurs ist ein Versuch, eine computergesteuerte Laserschneidemaschine auf ihre Anwendungen im Designbereich zu testen. Die Maschine vereint die Vorteile der Massenproduktion mit dem Prinzip der individuellen Fertigung... Wir wollen uns bei diesem Versuch mit dem Thema Beleuchtungskörper auseinandersetzen. . ......>>
replay bild-o-mat, SS 2004
digital picture browsing - spectacular scenic view!
Architektur wurde und wird in der Hauptsache über Bilder vermittelt. Im Diplomwahlfach replay bild-o-mat entwickeln wir einen digitalen Bildbrowser als Arbeits- und Präsentationswerkzeug für heutige ArchitektInnen. . ......>>
NDS Modul 4, WS 2004/05
ActionSript - config everything!
The main advantage of computers is the great variety of specific tasks it can do with prompt and fast response after 'telling' the machine something. This sort of interaction is inherit in most software that is available. The interaction mainly is combined with the handling and processing of an so called input by one or multiple users. In result the user(s) receive a so called output from the computer that more or less is a processed result of the given input.. . ......>>
NDS Modul 1, WS 2004/05
programmieren statt zeichnen - parametric scripting!
Nebst dem konventionellem Zeichnungs-Interface, gibt es heute bei allen gängigen CAD Programmen parallel dazu eine Programmierschnittstelle - Archicad: GDL; Vectroworks: Vectorscript; Autocad: Autolisp; ... Die Eingabe erfolgt hier nicht mittels elektronischem Zeichenstifts sondern durch Skript- oder Programmiersprachen die mittlerweile relativ leicht erlernbar und gut dokumentiert sind. . ......>>
"transdisciplinarity as working strategy" Katharina Bosch M.A. Kunstwissenschaft
Katharina Bosch was studying "kunstwissenschaft und medientheorie, architekturgeschichte und philosophie" at the Hochschule für Gestaltung Karlsruhe. Since then she is used to work together in a team with different professions: During her last years at the university, she started a complex multimedia project together with Andrea Gleiniger and Susanne Schumacher. The CD-ROM "weisse vernunft" tells the story of the German housing development of the 20th, the network of the protagonists (architects, artists and employers of the city governement e.a.) and the connection with the experiments reforming the life in Weimar Germany. Her magister work reconstructed the medial aspects of the housing exhibitions in the 20th century and also the collaborative aspects of these early but ambitious exhibition events (like the famous "Berliner Bauausstellung in 1930" curated by Mies van der Rohe and Lilly Reich and the section at the "Art decoratif Paris 1929" curated by Walter Gropius, Herbert Bayer and Moholy Nagy). Since October 2001 Katharina Bosch is working as an assistant at the chair of CAAD. Together with Susanne Schumacher she makes the concept for the Diplomwahlfach replay.
Up to now four different seminars have taken place: replay01 was a multimedia application about the Philips Pavillon (a collaborative masterpiece from Le Corbusier , Edgar Varese and Jannis Xennakis), replay02 an interactive exhibition about different aspects of the atelier house of the Russian avantgarde architect Konstantin Melnikov, replay03 transfers the orders of columns in the beschreibungssprache XML and replay04 developed picture browser with new posibilities to presentate, order and search for digital pictures specialized for the use of architects. The last replay is related to the Phd Katharina Bosch is working for: "analog, digitalized and digital picture archives in the architectural context". With several examples the question will be examined if the usage of pictures in the architectural context is changing, developing new orders for managing digital pictures, search criteria. Working together in an interdisciplinary team, to find suggestions and new methods one´s own profession. is a challenge to find a common language.
Magisterarbeit
Bauausstellungen des Neuen Bauens: mediale Aspekte der Vermittlung von Architektur. Staatliche Hochschule für Gestaltung Karlsruhe
Lehre ETH Zürich
CAAD1 image managment
Modul im Bachelorstudium CAAD1 im WS 2005/06
Eine Einführung zum Arbeiten mit digitalen Bildern und ihrer Verwaltung in Bildbrowsern und Bilddatenbanken.
replay04 bild-o-mat
Diplomwahlfach WS 2004/05
Im Rahmen von replay bild-o-mat entwickeln wir einen digitalen Bildbrowser als Arbeits- und Präsentationswerkzeug für heutige ArchitektInnen.
replay03 säulenatlas
Diplomwahlfach WS 2003/04
replay säulenatlas experimentiert mit den Möglichkeiten von XML für die Beschreibung und Darstellung der fünf klassischen Säulenordnungen.
replay02 haus melnikow
Diplomwahlfach WS 2002/03
replay haus melnikow verwandelt das Atelierhaus von Konstantin Melnikow, Moskau 1927, in eine interaktive Rauminstallation.
Dokumentation: replay_haus_melnikow.pdf
Pavillons: AnalyseDigital
Modul im NDS CAAD 2002/03
Multimediale Analyse zweier architektonischer Manifeste:
Frederik Kiesler: Endless House, 1936-52
Konstantin Melnikow: Russischer Pavillon, Paris, 1925
replay01 philips-pavillon
Diplomwahlfach WS 2001/02
replay philips-pavillon präsentiert Themen des multimedialen Gesamtkunstwerkes Philips-Pavillon, Brüssel 1958, auf einer CD-ROM.
Lehre HGK Zürich
RAUM ZEIT MEDIEN sensor
mit Hansuli Matter und Katharina Bosch
Interaktion mit Licht und Farbe.
Historische und aktuelle Beispiele aus Gestaltung, Kunst und Architektur
Veranstaltung WS 2005/06
Scenographical Design
RAUM ZEIT MEDIEN II
Mediale Bespielungen im Innenraum
Departementsveranstaltung SS 2005 Departement Design
RAUM ZEIT MEDIEN I Mediale Bespielungen von Architektur und Fassaden
Departementsveranstaltung WS 2004/5 Departement Design
Raum - Kultur - Konventionen
Der virtuelle Raum in Geschichte und Gegenwart
Departementsveranstaltung SS 2004 Departement Design
kulturraum – raumkultur
Raumkonzepte im 20. Jhdt
Departementsveranstaltung WS 2003/04 Departement Design
raum-vor-stellungen
mediale Raumkonzepte
Lehrveranstaltung WS 2001/02 Departement Design/Innenarchitektur
Bilddatenbank-Konzeptionen
LUISE.bdb
Experimentelle Bilddatenbank für Kunst- und Architekturgeschichte
EasyDB
Die zukünftige Bilddatenbank des Departments Architektur, ETH Zürich
Projekte und Publikationen:
Anton 6.6.2003Hochschule für Gestaltung Karlsruhe/Multimediastudio
"weiße vernunft - siedlungsbau der 20er jahre architektur und lebensentwurf im neuen bauen"
CD-ROM
hrsg. von KatharinaBosch, AndreaGleiniger, SusanneSchumacher, projektgruppe dammerstock,
Prestel Verlag München 1999
Freies Projekt
"Fische, Flieger, Frau im Winter - Auftragsfotografie im 20. Jahrhundert aus dem Archiv Bauer"
Ausstellung
Badischer Kunstverein Karlsruhe, 11/1999, und Kunstverein Halle/Saale, 3/2000
Katalogbuch
hrsg. von Katharina Bosch, Brigitte Franzen, Alexandra Neuner, Esther Schlicht und Susanne Schumacher,
Info Verlag Karlsruhe 1999
Anstellungen:
seit 10/2001
Wissenschaftliche Mitarbeiterin Professur für CAAD
seit 10/2005
Dozierende an der Hochschule für Gestaltung und Kunst Zürich
Departement Design / Scenographical Design
12/2001-9/2005
Wissenschaftliche Mitarbeiterin Hochschule für Gestaltung und Kunst Zürich
Departement Design / Scenographical Design
Die Professur fuer Bauphysik an der ETHZ hatte den Wunsch ihre stuendlichen Jahreswetter- Exeltabellen online abzufragen, mit dem
von Prof. B. Keller entwickelten Algorithmus zu verrechenen und anschaulich darstellen zu lassen.
Zielsetzung
Eine Online-Software zu entwickeln, die Leerlauftemperaturen von verschiedensten geografischen Orten ausrechnet und sie optimal
Veranschaulicht und interaktiv Verwaltet.
Sie sollte sich auszeichnen durch:
Skalierbarkeit der Datenbank
Skalierbarkeit von Inhalten und Features der Software
Variable Werte (Raumszenarieren) zB. Gamme, Tau , Verschattung mit Faktor
Optimale Benutzbarkeit und Uebersicht
Monats-, Wochen-, Tages-, Stundenanzeige
Online/Offline(CD-Rom) benutzbar
Lauffend auf OS: WINDOWS , MACOSX, Linux
Projekt Beschreibung
Der Gang der Leerlauftemperatur im Verlauf eines Jahres in Bezug auf das rot hinterlegte Komfortband zeigt, wie viele Tage im Jahr dieser Raum weder Heizung noch Kühlung zur Einhaltung der Komfortbedingungen benötigt.
Alle Wärmeenergie, die in den Raum fliesst, wird entweder in der dort vorhandenen Speichermasse gespeichert oder den Raum wieder verlassen. Der Verlauf der Leerlauftemperatur kann durch Wahl von Tau und Gamma wesentlich beeinflusst werden.
Eingabemöglichkeiten:
- Tau ist die „Zeitkonstante“ und wird hauptsächlich durch die Speicherfähigkeit der Materialien definiert.
- Gamma gibt an, in welchem Mass die eingestrahlte Sonnenenergie für den Raum zur Verfügung steht. Dies steht u.a. im Zusammenhang mit Fenstergrösse, Fensterqualität und Wärmeverlust.
- Verschattung: Sobald die gewählte Temperatur überschritten wird, wird eine Verschattung vorgenommen. Daraus folgen ab der gewählten Temperatur niedrigere Temperaturen als bei der Leerlauftemperatur ohne Verschattung, siehe blaue Kurve.
Der Abminderungsfaktor der Verschattung kann zwischen 0.1 (sehr starke Verschattung) und 1.0 ( keine Verschattung) gewählt werden.
- Wetterdaten: Hier wird die Stadt und eine Himmelsrichtung gewählt.
- Zeitraum: Hier kann die Jahresübersicht oder ein genaues Datum gewählt werden, z.B. der 21.7.
- Skalierung: Die Grafik kann für Detailansichten bis zu 800% vergrössert werden.
Fazit
Die groesste Schwierigkeit war das Rendering der 3 x 8760 berechneten Datensaetze.
Die Flash Draw API zeichnet korrekt aber langsam. Durch spezielles tunen des Programcodes (zB. for Schleifen in while schleifen umwandeln),
ist es trozdem gelungen die Ausgabe innert 1 sec zu rendern. Die Datenbankabfrage braucht vom Request zum Ergebniss
je nach Internet Geaschwindigkeit zwischen 1-20 Sekunden.
Den Betatest hat die Applikation bestanden. Es ist auf win2000, winxp, osx, auf verschiedenen Computern getestet worden.
Die naechsten Features, wie zb das Komfortband sind schon in der Pipline.
"The technical image marks an enormous expansion of visual scope. The imaging devices and systems have brought about a worldwide explosion of visual culture.(...)The social use of the image is undergoing the process of profound chance. Technical images have a purpose that goes beyond mere represantation - static images are no longer just autonomous but have a definite function. The triumph of the technical image lies in the fact that it can be used in far more ways than those to which pictures have traditionally been put.(...)The image has become part of the service industries, part of the service society. This is what was meant when we spoke at the outset about a new social history of the image...."
Peter Weibel (head of ZKM) Introduction for an interdisciplinary symposium: "The Role of Pictures in Society. Nnew Ways of Using Images." http://on1.zkm.de/zkm/stories/storyReader$4928
dipl.arch.ethz maja dzieglewska
geboren in warschau pl
1995-2001 studium der architektur an der eth zürich
2001-2004 mitarbeit am lehrstuhl für caad mail
"programming will be the key to the new architecture of the information age"
Markus Braach, Dipl.-Ing. Architect
Markus Braach studied achitecture at the university of Kaiserslautern in the 90s. As a student he worked in different offices on design and visualization of architecture competitions. Due to his knowledge of several programming languages he became a member of the research group for media experimental design (MEXE). This research project, that was initiated by Prof. Dr. Bernd Streich and supervised by Oliver Fritz, was focused on finding new ways of using computer technology in the design process. Inspired by self-organizing principles in our natural environment, like flocking behaviour, Markus Braach developed computer programmes to generate structures, forms and processes that resemble urban and architectural design. In 2000 Markus finished his MEXE projects with his diploma work 'Formfindung durch diskrete Systeme', supervised by Professor Dr. Ludger Hovestadt and Prof. Markus Neppl. Together with Oliver Fritz and Prof. Dr. Ludger Hovestadt, he started the project 'Kaisersrot', a cooperation with Kees Christiaanse Architects and Planners, taking the ideas of the research to real urban planning projects. In the end of 2000 Markus started as an assistant at ETH Zuerich and helped to establish Prof. Dr. Hovestadt's new Chair for leeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeer
Computer-Aided Architectural Design (CAAD). In his teaching activities Markus presented the ideas of programming and design to the students. In different courses he taught scripting languages like Flash Actionscript, Vectorscript, MAYA embedded language, XML/XSLT, SQUEAK and Java. Besides the main aspect, self-organization and adaptive structures, other courses were dealing with different topics like parametric design, mass customization, computer aided manufacturing and reorganization of historical data. With his dissertation work centered on Computer Aided Urban Design, Markus collaborates with architects like KCAP, Herzog and de Meuron and Sauerbruch Hutton. By optimizing urban planning processes, building layout, shapes and construction in real architectural projects, the results of his research were verified and improved and never lost the focus on reality. When in 2005 Markus worked with the Chairs' designtoproduction team, producing milling code out of computer generated structures, his programming work finally covers the whole range of scales from the urban plan to the construction detail.
Mathias Ochsendorf, Dipl. Inform.
D-ARCH/HBT/CAAD
ETH Zurich
ochsendorf@hbt.arch.ethz.ch
Mathias Ochsendorf studied computer science at University for Applied Sciences of Furtwangen. He worked for various companies dealing with bringing convenience in our daily life (vehicles, homes and houses). Since February 2003 he is teaching and researching as an scientific assistant with Prof. Dr. Ludger Hovestadt at the Chair of CAAD at ETH Zurich. His scientific work is focussed on Internet-based technologies, building automation and multimedia integration.
Please read more about my research work at our Building Intelligence Projects webpage.
Otto, F. (1982). Natürliche Konstruktionen - Formen und Konstruktionen in Natur und Technik und Prozesse ihrer Entstehung, Deutsche Verlags-Anstalt, Stuttgart.
-- FabianScheurer - 09 Mar 2005
"slowly but powerful, computers will change our physical environment"
Odilo Schoch, Dipl. Arch. ETH, MAS Housing
Odilo Schoch is currently Phd and research student at the Chair of CAAD, ETH Zurich. His theoretical work focuses on the impact of computer integrated environments (such as smart, adaptive buildings). He hold diploma degrees in architecture design and a MAS in housing design. AT ETH Zurich and UCS London he received his education. Work experience was gathered in offices such as Ove Arup, IPL (now FormTL), Züblin (Bangkok), GramazioKohler and his fathers architectural office. AT ETH Zurich he coordinated the ETHWorld project'Building IP - lecture hall of the future' as well as the NDS CAAD (2002-03). He lectured in Europe and Asia. leeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeeer
He practises architecture within his own company and together with his father. The work comprises design, consultation and realisation of houses and facades in Germany, Switzerland and PR China.
new caad-alumni of Odilo Schoch: info at schoch-architecture.com
Praxis:
Assistent an der Professur für CAAD der ETH Zürich, Forschung und Lehre, caad:nds
2005, Akademie Schloss Solitude, Stuttgart, Symposium: "Technologies of Place - Political implications for public and private space in the context of emerging new media and technology: an interdisciplinary symposium."
2005, Monitoring Wallpaintings with Information Technology, in collarobation with the Institute of Monument Conversation, ETH Zurich (see http://www.building-ip.ethz.ch/, in process).
2005, cnc-facade for ShandgiMOMA Showroom in Beijing, PR China (for B&E)
2005, sensorfacade (in process)
2005, ETHWorld project 'building IP - lecture hall of the future', including: digital doorsign, installation HIL E65 together with tRoom (in process) (see http://www.building-ip.ethz.ch/).
2005, ETHGame - knowledge game in physical space using digital media for accessing knowledge spaces
Unterricht Diplomwahlfach 'ETHGame', zusammen mit Steffen P Walz, Mathias Ochsendorf und Torsten Spindler, Professur für CAAD, D-Architektur, ETH Zürich, 2004-05
Koordination und Unterricht Nachdiplomstudium CAAD, D-Architektur, ETH Zürich, 2002-2004
Masters Advanced Studies in Housing / Nachdiplomstudium Wohnen, ETH Zürich, Prof. Dietmar Eberle, Thema: "Der gestalterische Einfluss der Anwendung digital vernetzter Gebäude- und Medientechnik auf Wohnungen".
Diplomarbeit Architektur, 'Ein Stadtratssaal für Zug', bei Prof. Marc Angélil, Assistent Cary Siress
Diplomwahlfacharbeiten 'Rethinking Nervi', Prof. Greg Lynn; 'Wahrnehmung pixelbasierter Darstellung', Prof. Maia Engeli; 'Entwicklung einer Region am Beispiel Copenhagen/Oeresund', Prof. Franz Oswald
Austauschsemester 'The Bartlett', UCL London, Prof. Colin Fournier, Dennis Crompton und Peter Cook, Projekt 'beeCity' - eine selbstgenerierende Stadt auf Grundlage des Sozialverhaltens der Honigbiene
Freies Entwurfssemester bei Prof. Marc Angelil, 'new territories - structures in new architecture'
EASA (European Architecture Students Aseembly) national contact, Schweiz, 1995-1998
-- DavidSekanina - 14 Dec 2006
.
It's not recommended to upload files greater than a few hundred K through a browser. Large files can be extremely slow-loading, and often time out. Use FTP for large file uploads.
One easy workaround is to create a 
, an image.
Sample.txt
Smile.gif
Markus Braach
Mathias Ochsendorf, Dipl. Inform.